Hong Kong Film Festival UK (HKFFUK) returns for its fourth edition from 25 September to 4 October in London, presenting reflective and shape-shifting cinema from Hong Kong, the wider Asian diaspora and beyond. This edition features 21 screenings and events, 40 titles with 17 UK premieres, across 11 venues including the Barbican, Institute of Contemporary Arts (ICA), Close-up Cinema, Rio Cinema, Ritzy Picturehouse, and Theatreship. The main festival will be followed by two seasons of programmes from the end of the year to early 2027.

The festival is supported by the BFI Audience Projects Fund, awarding National Lottery Good Cause funding, and Amnesty International UK.

Festival and Programming Director Ching Wong says,

“This year, we wanted the festival to continue to open up different ways of thinking about Hong Kong — not only through where we come from, but through the many places, histories and communities Hong Kong cinema has been connected to. We wanted to look at diaspora as an agency, an active force both behind the camera and on screen — and in that, diasporic communities find themselves speaking to one another.

This edition also marks the beginning of a more year-round festival. Rather than everything happening within a single stretch, we want to create more time and space for films to travel, for conversations to develop, and for us to build deeper relationships
with audiences and communities across the UK.”

The festival opens at the Barbican on 25 September with the UK theatrical premiere of Palimpsest: The Story of A Name, the latest film that investigates the mystery of an English surname in a Chinese family by this year’s Filmmaker in Focus: Mary
Stephen, the renowned Hong Kong-born, Paris-based filmmaker and editor. The programme also presents the UK premieres of Stephen’s first feature, Shades of Silk, and her three early experimental shorts. It also traces her over-two-decades-long collaboration with Éric Rohmer as an editor and co-composer through the screenings of The Aviator’s Wife and A Summer’s Tale at the ICA. We are delighted to welcome Stephen in person for the Q&As at this special celebration of her career.

 

 Palimpsest: The Story of A Name opens the Festival 
 

Repositioning (in) Hong Kong Cinema brings contemporary features that explore the fluidity of Hong Kong as a film category. Ten Years’ director Kiwi Chow’s new film Deadline is an Orwellian thriller about an anonymous note that predicts the suicide of an unnamed student in a prestigious school — shot not in Cantonese, yet it mirrors the city’s suffocating education system. Set during the White Terror period in Taiwan, A Foggy Tale by Chen Yu-hsun tells a story of resistance in the face of an authoritarian government that echoes to the present, featuring a Golden Horse Award-nominated performance by Hong Kong star Will Or. The heartwarming local box office hit The Snowball on a Sunny Day by Philip Yung revives the Lunar New Year comedy, while Jonathan Li and Chou Man-yu’s Behind the Shadows is a playful blend of hard-boiled detective fiction and compelling marriage drama that lives up to the trademark crime film genre of Hong Kong cinema.

Classics Revisited presents newly restored films and reappraises overlooked gems from the past. This year we are pleased to bring two important works of the Hong Kong 1980s New Wave: My Name Ain’t Suzie (UK premiere of the 2K Restoration), the outstanding second feature film of Angie Chen that was made as a rebuke to the orientalist fairy tale of bar hostesses in the Hollywood romance drama The World of Suzie Wong, as well as Patrick Tam’s star-studded romantic action thriller My Heart is That Eternal Rose (2K Restoration) that features mesmerizing performances by Kenny Bee, Joey Wong and Tony Leung Chiu-wai, co-lensed by legendary cinematographer Christopher Doyle.

Experimental & Expanded spotlights works that reimagine the possibilities of moving image art. Memory, both personal and collective, is a common theme that
the programmes in this strand share: Ka Ki Wong’s feature debut I Heard That They Are Not Going To See Each Other Anymore blurs the lines between performance and reality to incorporate the actors’ own struggles over connection and memories, and will be shown in the country for the first time at the festival; Remanence: The (Un)erasable - Moving Image + Lecture Performance explores voices as both fragile and impossible to fully erase, featuring the UK premiere of Rico Wong’s
award-winning documentary Compact Disc; as a collaboration with the Fitzcarraldo Editions, City Like Water + Reading & Discussion is an experimental artists’ moving image programme in response to Dorothy Tse’s surrealist novel that captures daily absurdities of Hong Kong’s socio-political transformation.

 

A new 2K restoration of My Name Ain’t Suzie receives its UK premiere 
 

Presenting in partnership with Amnesty International UK, the strand Narrating Migration traces experiences of exile and migration across different times and
places: Comrades’ filmmaker Kanas Liu and Sui Ting Kong co-directed I am fine, thank you., a documentary originated from the ‘We Are Hongkongers’ research
project, in which Hongkongers who have moved to the UK since 2019 shared their experiences and feelings in multiple filmed visits, while the shorts programme
Inherited Movements, many migrations bridges the stories between people who arrived in Hong Kong, those who left it for the UK, and the ones later return to the
hometown. 

This edition continues to strengthen Hong Kong’s connection to wider Asian communities in the UK through reflections on migration and colonial history across
Malaysia, Iran, Philippines, Singapore and more. Our Community & Wider Programmes include a free mid-autumn fair screening in Sutton, a game workshop
on spatial representations of Hong Kong in local computer art game practices, a visual talk on the city’s relation to Southeast Asian cinema, a walking tour at the
Barbican in dialogue with Hong Kong's walkway culture, and a screening and discussion on Filipino domestic workers in Hong Kong and beyond. The free virtual
programme Online Panorama will also return from 25 September to 31 October with the support of Amnesty International Hong Kong Overseas.

Across contemporary and historical cinema, artists’ moving image and interdisciplinary art practices, the festival moves through questions of migration, colonisation, activism and gender. Together, these works reshape ideas of memory and community.

Tickets are now available to purchase at hkff.uk or via the ticketing sites of each venue.