Review

White Colour Black was filmed back in 2016 and is, in 2021, just getting a general release. Why it’s taken so long for British-Nigerian director Joseph Adesunloye’s feature debut to see the light of day is something of a mystery as with its wonderful cinematography and a star making performance from Dudley O’Shaughnessy, White Colour Black is a gem that should never have been hidden away for so long.

The story is pretty simple, London based photographer Leke (Dudley O’Shaughnessy) has it all, his art is gaining recognition and woman fall at his feet, however hidden behind his care free façade hangs a sadness that he cannot escape from. Ignoring calls telling him that his father is seriously ill in Senegal he has eventually to confront the issue when he gets a message telling him that his father has died.

Reluctantly he leaves London and heads back to Senegal in order to take care of his father’s estate.

As Leke travels across Senegal, via the bustle of Dakar, to his father’s village he struggles to come to terms with a culture that he left behind many years ago and when he arrives at his father’s village the villagers shun him as they see him, due to him leaving the village, as having being disrespectful to his father.

The pace of White Colour Black is as slow as the village life that Leke’s abandoned but thanks to a wonderful performance from O’Shaughnessy, the camera loves him, White Colour Black is a hidden pleasure that’s well worth seeking out

4/5


White Colour Black

1h 27m


UK Release: Curzon Home Cinema & Virtual Cinema 19th February, Digital 1st March 2021
US Release: Digital 22nd February 2021